Mary
Casanova

Artwork by Nick Wroblewski from Hush Hush, Forest

header image
Waterfall

Waterfall
University of Minnesota Press, 2021
Hardcover: 978 – 1517901745
264 pages

Autographed copies of Waterfall are available from Mary’s online store

Swimsuit 1920s
My character, Trinity Baird, in Waterfall is inspired by Virginia Roberts whose family summered on Roberts Island, also known as Atsokan Island. She is standing 2nd from left and the early environ­men­talist, Ernest Oberholtzer, is standing 3rd from right (my inspi­ration for Victor Guttenberg).

Waterfall

written by Mary Casanova

In her third Rainy Lake historical drama, Mary Casanova takes us back to pristine and rugged northern Minnesota. It’s 1922, women have won the right to vote, and Trinity Baird is of age. But at 21, and after nearly two years at Oak Hills Asylum, she returns to her family’s island summer home with her self-confi­dence in tatters and her mind seared by haunting memories. Her parents are oblivious to what they have put her through and instead watch their daughter for the least sign of defiance. Trinity struggles to be the “respectable” young woman her parents (especially her mother) demand, so that she can return to her independent life studying art and painting in Paris. She never wants to go back to Oak Hills, where they “treat” hysterical, i.e., uncon­ven­tional, young women.

With enough talent and ambition to be accepted into the Sorbonne, Trinity had hoped she would be well on her way as an artist by now. On the island, she returns to what sustains her: painting. While her love for this beautiful place is deep and abiding, the few months ahead present a near-impos­sible task: recover the strong sense of self she’s nearly lost during her time away, while holding off her powerful family’s efforts to coerce her into submission. When her parents arrive on Baird Island, her father brings along a promising young architect to help with plans to build new guest cabins. Trinity suspects her parents are trying to introduce yet another marriage prospect. Or might she have found an ally?

Informed by historical figures, by the burgeoning growth of women’s rights in the early twentieth century, and the compli­cated issue of mental illness and how “difficult” women were silenced, Waterfall offers a compelling story of an inspired, ambitious, and soulful young woman’s fight to find her way.

In Mary Casanova’s latest novel, Waterfall, 21-year-old Trinity Baird is summering on the family island in northern Minnesota after a two-year stint at an asylum in St. Peter, Minn. It is 1922 — think women’s suffrage, costumed dinner parties, wooden speed­boats. Think The Great Gatsby comes to the Boundary Waters.

…All in all, the young artist proves her mettle. In the end, revela­tions come fast and furious. The disclo­sures are at times clearly voiced, at times deftly intimated, which makes “Waterfall” a refreshing and satis­fying read.
Christine Brunk­horst, Star Tribune

Waterfall is a thoughtful and beauti­fully written story about a young woman strug­gling to find her indepen­dence. Set in the 1920s, the book gives us glimpses of the issues of the day, which remain important now — women’s rights, anti-Semitism, treatment of mental illness, lynchings. A deeply satis­fying read, it shows that one can go over the waterfall and still survive.
Mary Logue, author of The Streel and the Claire Watkins mystery series 

Waterfall is a moving story about healing against all odds. The novel recog­nizes the seemingly small yet profound movements beneath the surface of everyday life and shows how signif­icant events happen even when you hardly notice them … all written in a beauti­fully crisp style.
— Ola Larsmo, author of Swede Hollow

Waterfall is most compelling in its portrait of the Baird family, especially the relation­ships of the mother and the two adult daughters/sisters. Without milking the reader’s sympathy, Casanova shows each woman’s emotional status in the family, their jealousies and traumas, and the repressive social conven­tions that have soured their time together. The connec­tions the women manage to make with each other aren’t tied up in pretty bows, but are left tentative and condi­tional.
—Jean Huets, Historical Novel Society

  • NE Minnesota Book Award Nominee, 2022
  • A Reading Group Choice Book Club Selection